The Akademie der Künste publishes its own publications in connection with exhibitions and special events, as well as new acquisitions in the archives. These include exhibition catalogues, symposia documentation, monographs on individual artists, as well as publications on thematic main focuses and on selected archival collections.
Our publications can be ordered by phone or email, and you can visit our bookstore on Hanseatenweg in Berlin, which has access to all of the Akademie der Künste’s available books and antiquarian rarities.
Sinn und Form
Every two months, the Akademie der Künste also issues the “Sinn und Form” (Purpose and Form) journal.
Founded in 1949 by Johannes R. Becher and Paul Wiegler, the cultural magazine Sinn und Form (Purpose and Form), published by the Akademie der Künste, is one of the most influential of its kind in Germany. Originally addressed to a literary audience in particular, the journal today is also a venue for philosophical, aesthetic, and social issues, for the meeting of art and science, poetry and anthropology, and is thus a key publication for many Academy members. The ambitious programme has an international focus and comprises selected letters and conversations, essays, poems, and narratives. Findings from the extensive Academy Archive continue to be presented.
Thilo Bock, Peter Wawerzinek
Das auffallend unauffällige Leben der Haushälterin Hannelore Keyn in der Villa Grassimo zu Wewelsfleth. Geistergeschichten
Akademie der Künste / Verbrecher Verlag, Berlin 2016
German, 152 pp., 35 ill.
Could there be a more mysterious place for a summit meeting between a legendary literary critic, a former state premier, a Nobel laureate and a feisty housekeeper than a cobwebbed room in a house on the Wilstermarsch marshland in Holstein? Together with selected writings by former Döblin scholars, Berlin authors Thilo Bock and Peter Wawerzinek dedicate their ghost stories to the housekeeper and heart and soul of 'Villa Grassimo' in Wewelsfleth, and, at the same time, narrate a piece of recent German literary history.
Akademie der Künste, Berlin 2016
Edition, brochure and Leporello,
German, 52 pp., 78 ill.
For the exhibition catalogue, Edmund Kuppel has designed a special art object. From a video work of approx. 60 minutes of ten train journeys all ending in the departure station, he developed an eleventh journey in a 'book form' with a concertina fold to create a kind of endless loop. As the jury awarding this year’s Käthe Kollwitz Prize noted, "… in his artistic approach, [Edmund Kuppel] transforms his ideas into subtle sculptural structures, transforms the material into the simplest, i. e., abstract, form, in machine and media constructions expressing wonder and amazement at reality."
Inge Zimmermann on behalf of the Akademie der Künste (ed.)
Akademie der Künste, Archiv, Berlin 2016, German, 168 pp., 100 ill.,
Werner Stötzer (1931–2010) was one of the most important sculptors in Germany. At the same time Stötzer was also a concise narrator. The notes, letters and anecdotes published here, mostly for the first time, provide insights into his thinking processes while reflecting a piece of contemporary history. Colleagues, friends and Academy members have written reminiscences and texts for this publication in the akademiefenster series. Drawings, documents and photographs complete the material which the sculptor gave to the Academy archives during his lifetime.
Architecture in Archives. The Collection of the Akademie der Künste
(forthcoming in January 2017)
Eva-Maria Barkhofen on behalf of the Aademie der Künste (ed.)
Akademie der Künste, Archive / DOM publishers, Berlin, 2016
English Edition (Hardcover)
560 pp., 906 ill.
ISBN 978-3-86922-552-4 (EN)
This sumptuous publication presents the first overview of all the collections and archives held by the Architectural Archive at the Akademie der Künste. After introductory articles by Jeanine Meerapfel, Werner Heegewaldt and Eva-Maria Barkhofen, the individual holdings, which go back to the eighteenth century, are comprehensively presented with biographies of their collectors and a wealth of illustrations.
DEMO:POLIS – The Right to Public Space
Barbara Hoidn (ed.)
Park Books, Zurich / The University of Texas at Austin, School of Architecture 2016
English, 288 pp., 500 ill.
ISBN 978-3-03860-005-3 (English edition)
The catalogue for the exhibition includes essays by international experts and case studies from architecture, sociology, art and urbanism for the redefinition of public spaces, such as Tempelhofer Feld in Berlin, Trafalgar Square in London, Campo de Cebada in Madrid and the Brooklyn Bridge Park in New York. Artistic interventions in public spaces that question the status quo and add new interpretations will also be shown, as well as the findings of an international workshop and 3D tools for public participation.
Texts by Frauke Burgdorff, Ricky Burdett, Susan Chin, Barbara Hoidn, Andrew Keen, Regula Lüscher, Florian Matzner, Jeanine Meerapfel, Cristiane Muniz, Cordelia Polinna, Alvaro Puntoni, Julio Cesar Perez, Bernhard Schneider, Renata Stih, Rainalod Uriarte, Michael Van Valkenburgh, Fernando Viégas, Jörn Walter, Wilfried Wang, Blanca Zuñiga.
13 x Heiner Müller
Carsten and Gerhard Ahrens in collaboration with Akademie der Künste (eds.)
Akademie der Künste, Archiv / Theater der Zeit, Berlin 2016
German, 184 pp., numerous ill.,
In a collage of photographs and texts, original accounts and documents, which are predominantly from the archives of the Akademie der Künste, this publication chronicles the joint theatre work of B.K. Tragelehn and Heiner Müller. At the same time it is a testament to two men of the theatre whose friendship went beyond their artistic collaboration. It is published on the 80th birthday of the director, poet and translator B.K. Tragelehn, who gave his archive to the Academy in 2013. It includes a catalogue of works.
Fotomonteurin und Malerin
Marion Beckers (ed.) for Das Verborgene Museum in collaboration with Akademie der Künste, Berlin, Lukas Verlag, Berlin 2016,
German/English, 192 pp., ill.,
Painter and graphic artist Alice Lex-Nerlinger belonged to the artistic and political avant-garde in the Weimar Republic. She became famous for her work §218 (1931) attacking the law on banning abortion. Influenced by “Der Sturm” gallery’s circle of artists, she started to work with modern techniques such as photography, montage and photograms. The catalogue for the exhibition in Das Verborgene Museum contains many documents and illustrations from the artist’s estate now in the Akademie der Künste Archive and art collection.
Peter Beauvais. Vielfalt als Konzept
(forthcoming in November 2016)
Wolfgang Jacobsen, Nicky Rittmeyer (eds.)
Series "Fernsehen. Geschichte. Ästhetik" [Television. History. Esthetics], Vol. 1, Akademie der Künste, Deutsche Kinemathek – Museum für Film und Fernsehen (eds.)
edition text + kritik, Munich 2016
German, 216 pp., 35 b/w ill.
c. € 32
In his work as a director, Peter Beauvais was a major influence on West German television for almost thirty years. In biographical and analytical contributions, Rolf Aurich, Julia Glänzel, Wolfgang Jacobsen and Nicky Rittmeyer illustrate how in all his works, whether for the theatre, opera, radio, film or TV, Beauvais pursued a notion of radical diversity in terms of themes and styles.
Julian Röder – Licht und Angst
(forthcoming in November 2016)
Akademie der Künste / Haus am Waldsee / Verlag der Buchhandlung Walther König, Cologne, 2016
80 pp., c. 59 ill.
Julian Röder’s images reflect structures of power, protest and consumerism, appearance and reality. In his new works, he explores metaphysical, thought or aura photography. In 2014, Röder was the Ellen Auerbach Scholar at the Akademie der Künste. A catalogue by Julian Röder, made possible by this Scholarship, is being issued in cooperation with the Haus am Waldsee to accompany Röder’s exhibition there from November this year.