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The new issue looks at the crisis of public broadcasting as an instrument of democracy, at how art deals with the societal challenges of artificial intelligence, and at the changing role of (art) criticism. Other focal points: the current archive exhibition “Spurensicherung,” photographs by Nan Goldin and Aleš Šteger on artistic freedom in Europe.

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A tribute to Nele Hertling with artist dedications, essays and extensive interviews on her childhood under National Socialism, her socialisation between East and West Germany and at the Akademie der Künste. The volume documents a unique success story of international programming, the re-founding of the Hebbel-Theater, the invention of festivals and establishment of cultural-political networks: an untiring commitment to the arts over 60 years.

Hans Scharoun is one of the most important German architects of the post-war period. This publication focuses on his free sketches and drawings that were not bound to concrete building projects and were created between 1909 and the end of the Second World War. Up to now, unevaluated sources support the classification of these visionary works, most of which are housed in the Architectural Archives of the Akademie der Künste.

The academic catalogue accompanies the exhibition of paintings and pastels by “Wedding classic” Otto Nagel from the art collection of the Akademie der Künste in the Regionalmuseum Eberswalde. Based on research, especially in the Akademie’s Visual Arts Archive, the authors discover astonishing new facets in the life and work of this outstanding 20th-century realist.

The letters between painter Hans Grundig (1901–1958) and graphic artist Lea Grundig (1906–1977) deal with a Jewish fate, art and love, but also with imprisonment and flight during the National Socialist era, and finally with the return to a destroyed Dresden. This volume of essays opens up the enormous dimension of the correspondence and forms the prelude to the planned edition of the private correspondence currently in progress.

“The sounds ­are not the sounds! They ­are there to distra­ct the intellect ­and soothe the senses.” Born in Austri­a in 1959, Peter Ablinger, who h­as lived in Berlin since 1982 ­and is a­ member of the Ak­ademie der Künste, is not only considered to be a­n innova­tive composer but ­also a­ brillia­nt essa­yist. His writings were published in Germa­n in 2016 a­nd a­re now a­va­il­able in English tr­ansla­tion.

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Pictures from Ukraine by Mila Teshaieva and Johanna-Maria Fritz open issue 18. The focus of the issue is the global ecological crisis: with contributions on the Japanese Edo period as a model for an art of sustainability, on the problematic role of copper, on dealing with climate protection issues through musical interventions, and more. It also includes a travel diary by Jeanine Meerapfel on the trail of Walter Benjamin, an interview with Berlin Biennale curator Kader Attia, drawings by Milein Cosman and a look at the newly opened Gerhard Leo Archive.

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The monumental text collages of Walter Kempowski seek the political and aesthetic middle ground. In them, he brings together narrative tradition and avant-garde. The contributors investigate the literary and historical constellations of the great prose writer. The volume was produced in cooperation with the Akademie der Künste, which preserves the extensive Kempowski archive.

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In addition to an essay by Wilfried Wang on the question of land use, Stephan Suschke’s presentation of the new exhibition on Erich Wonder’s stage designs for Heiner Müller and poems by Meena Kandasamy, dialogues are at the centre of the 17th issue: Kathrin Röggla talks to writer Mohamed Mbougar Sarr about language and resistance, a roundtable discusses the legacy of Paul and Eslanda Robeson, Mark Gergis talks about cassette kiosks in Damascus and his collection of Syrian music in an interview. The focus is also on the opening of the Roger Willemsen Archive and a photo series by Ute Mahler and Werner Mahler. The Carte Blanche goes to JUNGE AKADEMIE fellow and visual artist Sasha Kurmaz.

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